![]() ![]() With all of their technologies compatible with major platforms, Positive Grid allows music creators to experiment and explore new approaches. Connecting with music makers love and frequently use, the company makes new tones accessible to everyone. Today, Positive Grid offers many innovative tools for music creation, from free mobile apps and advanced sound design programs to intelligent, connected effect pedals and high-quality amplifiers. This new experience with simple apps encouraged many beginner guitarists to progress faster and have fun along the way with much more versatility and playing options. They tried to combine mobile technologies with innovative sound and interface designs, leading them to introduce a new music creation experience. Maybe someday you'll be hearing my raves about Bias crowd out those about Fender FUSE, we'll see.Founded in 2013, Positive Grid consisted of only a few people with a big dream of changing the world of amplifiers. Ultimately it's a reasonable demand for what looks to be a pretty open and expressive tone sculptor with a fantastic user interface. $200 is quite inexpensive compared to some competitors (such as Kemper), but still a significant uptick from the $120 that can get you Fender FUSE and an actual amp with it. Overall the demo is fairly permissive, enough that I appreciated their (calculated or not) generosity of sharing the demo, but might consider paying the $200 to unlock the full version. The free demo version has limitations such as restricted access to certain amps and presets, and also an interruption once every five minutes to remind you that you are on a demo version. The high gain and "djent" models were surprisingly good, although I question how "biased" I may be when I sometimes listen to albums produced by djenters using Bias. The presets can vary quite wildly, sometimes in a good way. There are a few dozen "rock" presets and a few dozen "clean", as well as a couple "artist" presets, notably a few from Tosin Abasi and a jumble from Neil Zaza. I wish perhaps there was a somewhat better organization method to it, or perhaps I just need time to get used to it and tweak it to preferences, but in general I found it decent. Don't get me wrong, some of the settings still sounded at least as good as Fender FUSE, probably better for high-gain stuff, but it now felt kinda normal.Īnyway, regarding the preset selection, I was pretty happy with what the demo had to offer. This made it both much more useful and much more "normal" feeling and by the same token, less interesting. Shortly after coming to full appreciation of the hidden values of latency, I discovered that I could in fact make it play through the computer's normal audio system if I only changed the sampling rates to match. The lag made playing properly in time more difficult but had a surprising effect best compared to an "out of body experience" (weird, I know, to describe audio lag in such a way, but when you've been guitar-ing for years, the little things can throw you off) and felt like I was listening to someone else play. I played around with it for probably an hour like this and was pretty satisfied. I assumed (wrongly) that this was the program being rather taxing on the CPU and just taking some time to process. I was first able to make it function by putting the output through the FastTrack's headphone output but encountered some frustrating latency - noticeable milliseconds of lag between playing and hearing the sound of Bias come through the speakers. I'm using an M-Audio FastTrack recording interface, a pretty cheap and simple interface that works well enough for these purposes. This part of computer programs makes me long for the simplicity of a guitar input jack, but I eventually sorted it out without too much difficulty. Ran into several problems immediately with getting it to function correctly and recognize input devices. ![]() I downloaded REAPER and I'll be sure to try it out in that DAW once I get the hang of the program in general first. ![]() It didn't work, but surprisingly, I could run Bias FX on its own without too much trouble. How did my experience stack up to the fawning reviews available? Read on to find out.įirst impressions: I installed Bias to the VST plugins and attempted to load it with Audicity, the workhorse of free DAWs. Unfortunately, the $200 for the (mostly) full software just isn't in my budget for gear now, but thankfully they do make a demo version available for free on their website here. Last night after watching a series of increasingly enthusiastic favorable reviews of Bias FX software by Positive Grid, I decided to see what I could experience myself. ![]() A look at the excellent user interface of Bias FX ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |